noradninja

Into The NIght

Nov 14th, 2023 (edited)
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  1. The Four of Us Are Dying
  2. Chapter 1- Into the Night
  3.  
  4.  
  5. Scene 1: Stuck in Here
  6. GAS STATION - NIGHT
  7.  
  8. Rain relentlessly drums against the rusted canopy of the abandoned gas station, creating
  9. a symphony of solitude in the heart of Old Town St. Peters. The neon sign, once vibrant,
  10. now flickers sporadically, casting ethereal shadows on the flooded asphalt. Michael,
  11. shivering with a damp determination, stumbles through the debris-laden entrance, his
  12. footsteps echoing in the hollow chamber of what once was a hub of activity. The air inside
  13. is thick with the musky scent of gasoline, decaying memories, and the haunting realization
  14. that Emma might be lost within this maze of forgotten dreams.
  15.  
  16. MICHAEL
  17. (grim determination)
  18. Emma, where are you?
  19.  
  20. The dim, wavering glow of the failing neon sign reveals a tableau of abandonment.
  21. Shattered glass crunches beneath Michael's worn boots as he navigates through
  22. overturned shelves and remnants of a life interrupted. Cardboard boxes, now swollen with
  23. dampness, seem to mourn the forgotten products they once held. A flicker of light amidst
  24. the wreckage beckons Michael—a feeble shimmer emanating from beneath a pile of
  25. discarded dreams and forsaken hopes. As he approaches, the contours of a flashlight
  26. emerge, a beacon buried beneath the debris, symbolizing a glimmer of hope amidst the
  27. encroaching darkness.
  28.  
  29. Michael's hands, trembling with a mixture of determination and trepidation, reach for the
  30. flashlight. Its weight in his grasp becomes a tangible reminder of the journey that lies
  31. ahead—a journey into the shadows of Old Town, where the relentless rain serves as a
  32. requiem for the memories yet to be uncovered.
  33.  
  34. The flashlight, now liberated from its obscure resting place, becomes a symbolic
  35. companion in Michael's quest. Its feeble glow is both a source of reassurance and a
  36. harbinger of revelations yet to unfold. As Michael maneuvers through the remnants of the
  37. gas station, memories begin to intertwine with the rain-soaked atmosphere. Water drips
  38. rhythmically from a leaky ceiling, mirroring the cadence of Michael's footsteps, each drop
  39. echoing a poignant reminder of the fleeting nature of time.
  40.  
  41. In this desolate space, Michael uncovers the first layer of the game's puzzle—a simple yet
  42. profound environmental challenge. Crates, scattered haphazardly, form a makeshift
  43. barricade. To reach the elusive flashlight, Michael must rearrange these fragments of the
  44. past, as if piecing together the shattered remnants of his own memories. The puzzles, though
  45. seemingly mundane, serve as a metaphor for the fragmented reality Michael now navigates—each
  46. solved puzzle a tentative step towards unraveling the mystery of Emma's disappearance.
  47.  
  48. The flashlight, once obscured, becomes Michael's guiding light, illuminating not only the
  49. physical environment but also the metaphorical shadows that envelop his heart. As he
  50. steps out of the gas station, the rain persists, a relentless companion on this journey into
  51. the heart of grief. The neon sign, now flickering more sporadically, seems to convey a
  52. message—each stuttering pulse an invitation to explore the mysteries that lie ahead in the
  53. haunting streets of Old Town St. Peters. The journey has just begun, and the gas station, a
  54. mere prelude, serves as the threshold to a labyrinth of emotions waiting to be uncovered in
  55. the unfolding darkness.
  56.  
  57.  
  58. Scene 2: Salt River Road Unlocked
  59. SALT RIVER ROAD - NIGHT
  60.  
  61. As Michael ventures deeper, he encounters a locked back door to the gas station—a
  62. formidable barrier standing between him and the enigmatic heart of the town. The
  63. flashlight, now a beacon of both illumination and obscurity, becomes the key to
  64. deciphering cryptic markings that adorn the door. In the interplay of light and shadows,
  65. Michael unravels the clandestine language etched onto the door's surface. The unlocking
  66. mechanism, a symphony of subtle clicks, echoes through the desolate streets—a delicate
  67. dance between the seeker and the mysteries that lie beyond.
  68.  
  69. The door swings open, revealing the Salt River Road in its spectral grandeur. The town,
  70. once shrouded in ambiguity, now beckons Michael with whispered promises of revelations
  71. and trials. The cobblestone path seems to ripple beneath his footsteps, resonating with the
  72. history that clings to its weathered surface. The buildings, like sentinels of forgotten tales,
  73. stand silent yet watchful, their facades bearing witness to the passage of time.
  74. The Salt River Road, a timeworn artery etched with memories, unfurls before Michael. The
  75. flashlight's beam reveals glimpses of boarded-up windows and facades stained with the
  76. patina of time. Shadows dance on weathered brick walls, each one seemingly concealing
  77. untold tales of bygone days. The narrow path guides Michael, a lone figure traversing the
  78. boundary between the known and the unknown, his silhouette cast against the veiled
  79. backdrop of the town's storied past.
  80.  
  81. With the flashlight's feeble glow now cutting through the oppressive darkness, Michael
  82. steps onto the narrow path leading to Old Town’s Salt River Road. The air is thick with a
  83. spectral stillness, broken only by the distant echoes of raindrops falling onto forgotten
  84. cobblestones. The town reveals itself reluctantly, as if hesitating to share its secrets with
  85. the lone seeker venturing into its heart.
  86.  
  87. MICHAEL
  88. (whispering) It’s only been three years since we were last here- what the hell
  89. happened to this place?
  90.  
  91.  
  92. As Michael advances, Salt River Road becomes an ever-unfolding tapestry of memory
  93. and melancholy. The door from hence he came scrapes closed, vegetation overtaking it
  94. almost as soon as it does, making it clear that, for now at least, retreat is no longer an
  95. option. The architectural remnants of a forgotten era whisper tales of prosperity and
  96. decline, each step laden with the weight of a bygone narrative. The air itself seems to
  97. carry echoes of laughter that once reverberated through these now-haunted corridors.
  98.  
  99. The boarded-up windows, like sealed portals to the past, evoke a sense of mystery—an
  100. invitation to delve into the forgotten corners of Old Town. Some bleed light through their
  101. gaps, while others, somehow sensing your arrival, seemingly draw down their own shades,
  102. leaving Michael to wonder who (or what) could possibly be living in the squalor and decay
  103. surrounding him. The flickering streetlights cast elongated shadows, adding an
  104. otherworldly quality to the scene. It's as if the town itself, a dormant entity, yearns for its
  105. stories to be heard, for the seeker to unravel the enigma that binds its cobblestone veins.
  106.  
  107. Amidst this spectral ambiance, Michael senses an unseen presence - a whisper in the
  108. wind, an indistinct murmur that hints at the town's secrets. The Salt River Road, an artery
  109. of both passage and reflection, leads Michael further into the labyrinth of his own
  110. emotions. Each step becomes a contemplative dance, a progression towards an inevitable
  111. confrontation with the shadows that linger in the town's recesses.
  112.  
  113. The locked doors of abandoned establishments stand as both barriers and invitations,
  114. prompting Michael to explore the spectral interiors where memories lie dormant. The
  115. narrow path, now a guide through the town's ethereal corridors, hints at the unfolding
  116. chapters of grief yet to be written. As Michael moves forward, he becomes not only a
  117. seeker of Emma but a reluctant archaeologist, unearthing the buried fragments of his own
  118. past in the dimly lit thoroughfares of the town, now a silent witness, awaiting the revelation
  119. of its untold tales in the dance of shadows and the flicker of the flashlight's glow.
  120.  
  121.  
  122. Scene 3: Encounter with Theta Nigrum
  123. SALT RIVER ROAD - NIGHT
  124.  
  125. A spectral chill permeates the air as the oppressive darkness of Old Town St. Peters
  126. coalesces into a haunting silhouette. The wispy, ethereal figure takes form—the Theta
  127. Nigrum, an embodiment of Michael's deepest fears, clad in shadows that seem to defy the
  128. very essence of light. It stands as a manifestation of the suffering that wraps itself around
  129. Michael's consciousness like an impenetrable fog.
  130.  
  131. MICHAEL
  132. (confused, horrified, afraid) What the fuck is that?!?
  133.  
  134. The Theta Nigrum, an enigma in itself, hovers ominously before Michael. Its wispy tendrils
  135. reach out, mirroring the insidious tendrils of denial that have entwined themselves around
  136. Michael's consciousness. A sense of dread descends upon the narrow Salt River Road, as
  137. the very air quivers with the weight of unspoken fears.
  138.  
  139. The dance of shadows takes on a sinister rhythm as the Theta Nigrum lunges forward, a
  140. phantom of despair seeking to devour Michael's every semblance of hope. Combat
  141. becomes an intricate ballet between the feeble beam of Michael's flashlight and the
  142. elusive, shape-shifting entity before him. Each swing of the flashlight reveals the monster's
  143. inhuman flesh, only for it to retreat into the shadows, leaving Michael in a perpetual dance of
  144. pursuit and evasion.
  145.  
  146. The very nature of the Theta Nigrum challenges Michael's understanding of reality. Its
  147. wispy form, resistant to any permanent defeat, symbolizes the insurmountable nature of
  148. grief—always present, always lurking, and never completely vanquished. In the moments
  149. of combat, the echoes of Emma's name resonate through Michael's mind, a haunting
  150. reminder of the purpose that brought him to this shadowy realm.
  151.  
  152. The encounter with the Theta Nigrum becomes a relentless exploration of Michael's own
  153. psyche. Each swing of the flashlight becomes a cathartic release, an attempt to dispel the
  154. shadows that cling to the corners of his mind. The monster, undeterred by Michael's
  155. efforts, taunts him with its intangible presence, a ghostly reminder of the emotions he has
  156. yet to confront.
  157.  
  158. As the battle ensues, the Theta Nigrum draws upon the very fabric of denial and despair, distorting
  159. reality, making Michael question the solidity of the cobblestone beneath his feet and the
  160. authenticity of the feeble light guiding him. The air becomes thick with an otherworldly
  161. tension, a clash between the tangible and the intangible, between the known and the
  162. obscured.
  163.  
  164. In a moment of revelation, Michael realizes that the Theta Nigrum cannot be eradicated by
  165. force alone. Its wispy form seems to absorb the very essence of the shadows that envelop
  166. this place. The town, a canvas of grief, becomes an accomplice to the relentless dance of
  167. denial and despair. Each defeat, rather than providing closure, heightens the unease,
  168. leaving Michael to grapple with the unsettling notion that the shadows themselves are
  169. alive, pulsating with an energy that transcends the physical realm.
  170.  
  171. As the combat subsides, the Theta Nigrum retreats into the darkness, leaving behind an
  172. unsettling calm, and a talisman of reality- a cell phone, it’s screen blank, lies in the road,
  173. beckoning Michael to unlock it’s secrets. The narrow Salt River Road, once an avenue of hope, becomes a
  174. battleground—a reflection of the internal strife Michael faces. The flashlight, now a
  175. flickering beacon in the aftermath, casts uncertain shadows on the cobblestone path, each
  176. one a testament to the emotional labyrinth that awaits. The whispers of the Theta Nigrum
  177. linger in the air, a haunting prelude to the trials yet to unfold in Old Town.
  178.  
  179.  
  180. Scene 4: Schoolhouse and Smartphone Clues
  181. SCHOOLHOUSE - NIGHT
  182.  
  183. The schoolhouse, a forsaken bastion of education now swallowed by the shadows, looms
  184. ahead of Michael like a dormant sentinel. The narrow path from the Salt River Road leads
  185. him to its creaking entrance, where memories of laughter and learning are juxtaposed with
  186. the oppressive darkness that now enshrouds its halls.
  187.  
  188. MICHAEL (wary)
  189. Do you still remember when we first met here?
  190.  
  191. The door, burdened by the weight of time, groans as Michael pushes it open, revealing an
  192. interior steeped in an eerie calm. The air inside, thick with the residue of forgotten
  193. knowledge, carries an unsettling stillness. Long ago converted to a home, the furniture, disused
  194. and scattered, appears as casualties of a chaotic past. Michael ventures further, guided by the
  195. flickering glow of his flashlight, his footsteps echoing across the timeworn linoleum.
  196.  
  197. Within the dim confines of the long-abandoned living room, Michael discovers the remnants of a
  198. smartphone charger—a modern relic incongruent with the dated surroundings. The phone's lifeless
  199. screen reflects the ambient gloom, and the realization dawns that this device may be a
  200. conduit to the unraveling mystery of Emma's disappearance.
  201.  
  202. The smartphone, cold to the touch, becomes a beacon in Michael's quest for answers. As
  203. he navigates through the schoolhouse, the flashlight reveals unfocused images from the past,
  204. long-forgotten memories of a time before this place even existed. Each step forward echoes with the
  205. resonance of distant footsteps, the ghostly remnants of a time when this place was alive
  206. with the chatter of curious minds.
  207.  
  208. In an adjacent room, Michael encounters the remnants of a makeshift barricade—a futile
  209. attempt to shield against an unseen force. Puzzled, he discovers a passageway leading to
  210. the attic, a space untouched by time's relentless march. The wooden boards, haphazardly
  211. nailed to form a crude ladder, seem to protest his ascent, whispering tales of the secrets
  212. concealed within the forgotten heights.
  213.  
  214. Ascending to the attic bedroom, Michael is greeted by a tableau frozen in time— a
  215. bedroom chamber suspended between the echoes of joy and the encroaching darkness. After plugging
  216. the phone in to charge on the nightstand, Michael looks around, realizing the attic
  217. was split into two rooms- walking through the partition into the storeroom, the
  218. flashlight reveals a room charred almost to embers by some long ago fire.
  219.  
  220. Searching through the closet, Michael discovers a box of burnt slides, each one a snapshot of
  221. a life consumed by the flames of grief. Michael cautiously removes each one, revealing images
  222. of laughter, love, and an ordinary life now lost to the shadows.
  223.  
  224. Digging further, Michael finds what he is looking for- an old slide projector. He gingerly plugs it
  225. into a half-charred outlet in this room, praying that it would not repeat the events that led
  226. to the room's current state. Instead, the projecter whirred to life, waiting anxiously for Michael
  227. to unlock it's secrets.
  228.  
  229. Flipping through the images, Michael is presented with a series of photos of this very house, long
  230. ago. a figure stands on the porch, unclear but clearly waving. As the pictures advance, the viewer
  231. stutter-steps ever closer to the waving figure, becoming clearer until Michael recognizes the
  232. younger version of his wife.
  233.  
  234. MICHAEL
  235. (breathless, distraught) How is this possible?
  236.  
  237. As he looks closer at the image, tracing its distortion across the brick wall, the projector
  238. starts to get louder, it's motor clicking forward to advance the slide, but failing to do so,
  239. over and over. The ticking of the failing machine becomes louder, as the light becomes brighter
  240. and hotter, the celluloid starting to deform, Emma's features running together.
  241.  
  242. Michael yanks the plug from the wall, to no avail. Nearly leaving the ground, the machine lets
  243. out a loud clunk, as the slide advance finally slams the last slide into place, a closeup
  244. of Emma, her eyes piercingly gray in the sea of desaturated color around her. Suddenly, the
  245. somehow still running projector finally overloads, burning the celluloid image within, soot coating
  246. the lens in darkness, before flaming out when it's fuel had burned to ash.
  247.  
  248. Scared, Michael stumbles backwards into the bedroom, nearly falling backwards when the cell phone
  249. suddenly announces it's presence with a loud ring.
  250.  
  251. MICHAEL
  252. (whispering) Hopefully this is someone that can help me.
  253.  
  254. Thumbing the phone's answer button, Michael hold's the phone tentatively to his ear, listening.
  255. Listening so intently he can hear his own heartbeat, Michael is able to make out a voice, growing
  256. louder with every word, becoming a deafening roar:
  257.  
  258. INDISTINCT FEMALE VOICE
  259. (distorted, painfully loud) let Me in Your HEEEEAAAAAADDDDDDDDDDDDDD
  260.  
  261. The pitch becomes a needle in his mind, Michael drops the phone as he falls to his knees, his
  262. vision blurring. Outside, a distant, discordant tone rolls across the sky, now deepening to an intense,
  263. blood red portent of danger, and, trembling, Michael looks out the attic window, as the Theta Nigrum seems
  264. to materialize from the nothing, the beam of the streetlight revealing it's sinews willing themselves into
  265. existence from the inky, wavering fog. The vibration of the phone in his hand startles him out of his
  266. desperation at the return of the monster, a notification of a video memory stored in the recesses of
  267. the phone's enclave of secrets.
  268.  
  269. Unlocking the smartphone, Michael is greeted by a haunting video— a younger Emma,
  270. vibrant and full of life, standing in front of the police station. A disconcerting sense of
  271. displacement washes over him as he grapples with the incongruity of the images before
  272. him. The smartphone, now a digital relic pulsating with clues, becomes a guidepost
  273. leading Michael towards the next layer of the enigma—the police station, a realm of
  274. authority now shadowed by uncertainty.
  275.  
  276.  
  277. Scene 5: Smartphone Revelation and Passcode Clues
  278. SCHOOLHOUSE - ATTIC BEDROOM - NIGHT
  279.  
  280. The attic bedroom, suspended in the sepulchral embrace of time, becomes a sanctuary of
  281. revelation. Michael, clutching the smartphone like a talisman, immerses himself in the
  282. burnt fragments of a life once lived. The box of scorched photographs becomes a portal to
  283. the past, each image etched with the ephemeral warmth of joy and the enduring chill of
  284. loss.
  285.  
  286. Ascending through the layers of memory, Michael is drawn towards an intimate narrative—
  287. a hidden video within the smartphone's digital recesses. The screen flickers to life, casting
  288. an ethereal glow on the walls adorned with remnants of a life now fragmented. In the
  289. haunting video, a younger Emma materializes, a specter of vitality and hope frozen in a
  290. fleeting moment. The disconnect between the vibrant past and the desolate present leaves
  291. Michael grappling with the dissonance, a symphony of emotions echoing through the
  292. attic's hollowed corridors.
  293.  
  294. Unlocking the smartphone unravels more than just digital mysteries; it unveils the layers
  295. of grief hidden beneath the surface. Emma's voice, a melancholic melody, narrates the
  296. video— a haunting reflection of the chasm between the past and the present.
  297.  
  298. YOUNGER EMMA
  299. (smiling) Hey, Michael. I wanted to leave you something to remember me by. Something timeless.
  300.  
  301. As Michael absorbs the words, the video pans to an unexpected backdrop—the police
  302. station, an imposing structure looming in the background. Emma's cryptic message
  303. becomes a beacon, guiding Michael towards the next act in this sorrowful drama. The attic
  304. bedroom, a repository of both joy and anguish, urges him to descend into the night, where
  305. the shadows of Old Town await with veiled revelations.
  306.  
  307. The rain outside, a constant companion in this spectral journey, intensifies as Michael
  308. steps onto the cobblestone streets once more. The flashlight's glow, now laden with
  309. newfound purpose, illuminates the path leading to the police station. The air is charged
  310. with an eerie anticipation as Michael, fueled by a sense of urgency and dread, ventures
  311. towards the heart of authority now entangled with the enigma of his wife's disappearance.
  312.  
  313.  
  314. Scene 6: Police Station and Bus Exploration
  315. POLICE STATION - NIGHT
  316.  
  317.  
  318. The police station, veiled in the inky darkness, once a symbol of strength, now stands as
  319. an edifice of long-forgotten suffering. The flickering streetlights cast elongated shadows on
  320. the cobblestone path, a foreboding prelude to the revelations that lie within. The entrance,
  321. sealed by an intangible force, challenges Michael to unravel its secrets—a locked gate
  322. barring access to the echoes of his unanswered questions.
  323.  
  324. The smartphone, now a beacon of guidance, holds the key to unlocking the police station's
  325. enigmatic threshold. As Michael explores the exterior, he stumbles upon an emergency kit
  326. door on the side of an abandoned bus—a relic of a bygone era. A puzzle emerges,
  327. demanding his attention and resourcefulness. The rain, an unrelenting accomplice,
  328. intensifies as he endeavors to gather the components scattered amidst the storm.
  329.  
  330. In the dance of shadows and raindrops, Michael unravels the puzzle, piecing together the
  331. fragments needed to unlock the emergency kit door. Each step forward feels like a pact
  332. with destiny, the components in his possession becoming talismans against the
  333. encroaching darkness. The unlocking mechanism, accompanied by the distant rumble of
  334. thunder, echoes through the night—a symbolic proclamation of his passage into the
  335. unknown.
  336.  
  337. As the emergency kit door yields to Michael's persistence, it reveals a trove of supplies
  338. and, more importantly, a key—a tangible artifact within this surreal tapestry. The rain-
  339. soaked atmosphere intensifies as he clutches the key, a conduit to the elusive heart of the
  340. police station. The bus, a vessel suspended in time, echoes with the pitter-patter of
  341. raindrops on its dilapidated roof.
  342.  
  343. With the key in hand, Michael unlocks the emergency exit on the back of the bus—a
  344. gateway into the labyrinthine corridors within. Yet, as the door swings open, the
  345. atmosphere shifts, distorting reality in tandem with the shadows that encircle him. The bus
  346. elongates and contorts, creating a disorienting journey through its interior—a symbolic
  347. reflection of the inner turmoil Michael faces.
  348.  
  349. Inside the bus, reality warps and deforms as on a nightmare, as Michael battles the Theta Nigrum once more. The
  350. decaying exterior mirrors the corrosion within Michael's heart- a delicate balance between
  351. reality and the metaphysical.
  352.  
  353. The bus, now a paradox of normality and decay, becomes a vessel through which Michael
  354. confronts the intangible nature of grief. The rain, a relentless backdrop, washes away the
  355. remnants of suffering that cling to the bus's rusted exterior. The flashlight, an unwavering
  356. guide, reveals not only the distorted reality within the bus but also the ephemeral nature of
  357. the emotional struggle Michael faces.
  358.  
  359. As the battle within the bus concludes, a profound calm settles over the town. The rain,
  360. having witnessed the internal turmoil of the seeker, now falls with a gentler touch. The
  361. narrow exit door, once an elusive portal, opens before Michael. Leading out into the night,
  362. it becomes a symbolic threshold— an invitation to leave the bus and step into the unknown.
  363.  
  364.  
  365. Scene 7: Emma's Message and Police Station Finale
  366. POLICE STATION - NIGHT
  367.  
  368. Closing the bus's front folding door behind him, Michael watches in silent awe as the
  369. vessel of grief undergoes a metamorphosis. Before his eyes, the bus rusts and decays,
  370. the rainwater transforming into vines that weave through the corroded metal. Nature
  371. reclaims the relic, erasing the traces of struggle and despair. The bus, once a distorted
  372. symbol of grief, now returns to the embrace of the surrounding foliage, becoming one with
  373. the ever-changing tapestry of St. Peters.
  374.  
  375. With the Theta Nigrum defeated, Michael stands alone on the cobblestone street, his gaze
  376. fixed on the bus's transformation. The rain, now a gentle caress, washes away the echoes
  377. of the battle. The smartphone, his digital compass, buzzes with a message— a text from
  378. Emma.
  379.  
  380. The screen illuminates with her words, a cryptic inquiry about his delayed arrival at
  381. the police station, where she claims to have waited for what feels like an eternity.
  382.  
  383. The police station looms ahead, its facade a testament to both authority and mystery.
  384. Emma's message becomes a beacon, a call from the depths of the unknown urging
  385. Michael forward. The cobblestone path, now bathed in the soft glow of the porch lights, leads
  386. him to the station's imposing entrance. The rain, having witnessed the seeker's journey,
  387. intensifies one final time as Michael looks down at his phone, unbidden tears hotly rolling down his
  388. cheeks, disappearing into the cold rain falling from the sky.
  389.  
  390. An icy hollowness grows in his chest, as, one letter at a time, he taps out the reply, hoping she somehow
  391. receives it in this place of desperation and despair:
  392.  
  393. 'I'm here.'
  394.  
  395. END CHAPTER ONE
Comments
  • Elvencat0830
    1 year
    # text 0.91 KB | 0 0
    1. Hi - I'm from the Widower Discord group. I really enjoyed reading this passage. Your descriptions are done so well I could see the game unfolding in my head. I only have one suggestion - Use something other than "Grief Monster" to describe the entity plaguing the main character. The overall tone of the written passage is so serious that I was sort of thrown out of the mood when I read that term. I'm not sure if you are making it obvious during gameplay that the entity represents Denial, or making it a bit more ambiguous so that the player is left wondering what it is until later, but, either way, "Grief Monster" reads more like a children's game creature rather than as something that fits the tone of this game. Something more like simply "Entity" or "Creature" would probably work better (I'd almost use "Demon" as in someone must battle their own "demons", but I know that word can be more triggering for some people.)
    • noradninja
      1 year
      # text 2.01 KB | 0 0
      1. First- thank you for reading, I really very much appreciate your help and time and advice.
      2.  
      3. I agree wrt the naming. The plan is to have unique representations of aspects of the internal traumas spousal grief manifests, and they will have unique names/appearances/behaviors. It is off putting in the context of the rest of the tone, and is really meant to be a placeholder as I finalize concept art (which you can see here, warning, obviously some disturbing visuals (no gore)- https://imgur.com/a/B6Vl7l6). I’ve been looking into this bit of Greek mythology- the Algea, personified spirits (diamones) of pain and suffering, both in body and mind, grief, sorrow, and distress. They are the bringers of weeping and tears.
      4.  
      5. So something of that nature, of course specific to the player- a component of the game is that some puzzles will have multiple ways to solve them, and how you choose to do so will be designed to profile the player’s psychology a little, along with how and with what methods you interact with the environment.
      6.  
      7. It’s be easy enough to take the BACS II (a common psychiatric diagnostic tool) and build story and play mechanics around answering the questions without overtly doing so- so that specifics in the relationship Between Michael and Emma can be altered to suit the player’s psychology.
      8.  
      9. Lastly- ambiguity is a key factor- the definition here is more for internal uses. This is part plot, part design documentation, and part fictionalization of the game so that there is a clear set of story beats and events to build the gameplay around.
      10. I am very happy that the descriptions give that kind of clarity of vision. This is my vessel into which I invested the grief and pain I felt for the last four years, and still feel (in my moments of weakness), and I want to use it to tell a story that resonates on a deeper level than what we think of when we think of games.
      11.  
      12. Thank you so much for your time and critique- this is invaluable to me as I try to assemble the pieces of this journey through the Void.
      13.  
      14.  
      15.  
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