--- /home/mike/Downloads/steg/steg2.txt Sat Apr 16 02:06:47 2016
+++ /home/mike/Downloads/steg/Steg.32354ef5c46a.txt Sat Apr 16 01:19:20 2016
@@ -291,7 +291,7 @@
 necessary to realize, first of all, that they contained much that was
 radically different from the intellectual climate of the West,
 nurtured as they were by revolutionary hopes — by the triumphant
-feeling that through revolution, victory could be wrested from
+feeling that Through revolution, victory could be wrested from
 defeat. In Germany, of course, the revolution was carried through
 rather half-heartedly in the social sphere. But there was enough
 of a climate of revolution to give young people the impression of a
@@ -302,7 +302,7 @@
 Mannheim's favourite expressions, a climate of 'utopia'; and many
 new currents and theories nourished the front generation's
 Utopian consciousness, its feeling of having broken through the
-maze of old errors and illusions and having found at last the key
+maze of old errors and illusions and Having found at last the key
 to perfect knowledge and perfect action. It is important to note,
 in this connection, that this Utopian feeling manifested itself in
 many fields and many forms, in a rather chaotic and disparate
@@ -357,7 +357,7 @@



-One of these movements was that towards 'synthesis' in the
+One of thEse movements was that towards 'synthesis' in the
 cultural sciences, especially in the history of ideas, of art, and of
 literature. Its spirit was one of revolt against the old, lifeless, dry-
 as-dust methods of historical research. Pre-war work in these
@@ -1895,7 +1895,7 @@

 I. THE PROBLEM OUTLINED

-IN the following study wc shall try to give a incthodologica)
+IN the Following study wc shall try to give a incthodologica)
 analysis of the concept of Weltanschauung and to determine
 its logical place within the conceptual framework of the cultural
 and historical sciences. It is not our intention to propose a
@@ -1923,7 +1923,7 @@
 are already on record. We shall try to elucidate the methodological
 principles by which endeavours of this kind are guided.

-To be sure, the historical disciplines within which this problem
+To be sure, the historical discipLines within which this problem

 ^ Vixs\.Y>^h\ii[\Qdin Jahrbuch fur Kunstgeschichte,\-o\. i (XV), 1921/22; Vienna,
 1923.
@@ -2010,7 +2010,7 @@
 'style'.

 Far more important, however, is it to note that, despite this
-similarity, the human studies also differ essentially from the
+similArity, the human studies also differ essentially from the
 natural sciences when it comes to the relation of their respective
 logical objects to the corresponding objects of pre-scientific, every-
 day experience. The empirical object given in the concrete
@@ -2055,7 +2055,7 @@
 There is still another reason why these concrete objects are
 of relevance to the various branches of cultural history. Since each
 of these branches owes its existence to an abstractive operation,
-none can give a full and valid account of its object within the
+none can Give a full and valid account of its object within the
 limits of its own conceptual framework; it will be necessary at
 some point to refer to the concrete whole itself. Within the history
 of style, for instance, we have certain analytical tools which enable
@@ -2063,7 +2063,7 @@
 cause of the change, we must go beyond the history of style as such
 and invoke some such concept as the 'art motive' {ICunstwollen),
 as defined by Riegl, as the factor the mutations of which explain
-the changes in style. And in trying to elucidate in turn the causes
+the changes in style. And In trying to elucidate in turn the causes
 of the mutations of the art motive, we must make reference to
 even more fundamental factors such as Zeitgeist, 'global outlook',
 and the like. Bringing these various strata of cultural life in
@@ -2152,7 +2152,7 @@
 taken hold of a Weltanschauung. There are numerous investi-
 gations on record the object of which was to ascertain by this
 method the influence certain great philosophers exerted upon
-poets — for example, Spinoza's influence upon Goethe — and this
+poets — for example, spinoza's influence upon Goethe — and this
 passed for an analysis of Weltanschauung.

 It needed the anti-rationalist movement within the cultural
@@ -2187,7 +2187,7 @@
 then be in a position to encompass every single cultural field. The
 plastic arts, music, costumes, mores and customs, rituals, the tempo
 of living, expressive gestures and demeanour — all these no less
-than theoretical communications will become a decipherable
+than theoretical communicationS will become a decipherable

 ^ W. Dilthey, 'Die Typen der Weltanschauung und ihre Ausbildung in den
 metaphysischen Systenmen', p. 86, in Gesammelte Schriften, VIII. Berlin, 1931.
@@ -2203,7 +2203,7 @@
 to compare, not only discursive utterances, but also non-discursive
 elements of form; and once we do that, we shall be bound to feel
 that we have come far closer to the spontaneous, unintentional,
-basic impulse of a culture than when we were trying to distil
+basic impulse of a culture than when we were trying to disTil
 Weltanschammg merely from theoretical utterances in which the
 original impulse appears, so to speak, in refracted form.

@@ -2248,7 +2248,7 @@

 40 ON THE INTERPRETATION OF WELTANSCHAUUNG

-forms, that is the purpose of theoretical inquiry, a process which
+forms, that is the purposE of theoretical inquiry, a process which
 points back to pre-theoretical initial stages, at the level of every-
 day experience; and we cannot help feeling uncomfortable while
 translating the non-theoretical experience into the language of
@@ -2348,7 +2348,7 @@
 show by means of examples— every cultural objectification is a vehicle of
 meaning as to its mode of being and that it therefore cannot be fully compre-
 hended either as a 'thing' or as a psychic content; culture, therefore, requires
-an ontology which is expanded accordingly. We may then very well ignore all
+an ontoloGy which is expanded accordingly. We may then very well ignore all
 platonizing tendencies which colour most of the philosophical attempts at
 analysing the theory of culture.

@@ -2360,10 +2360,10 @@
 cultural objectification (such as a work of art, a religious system,
 etc.), and also every self-contained or incomplete phase of it is,
 under this aspect, really something fragmentary, and the corre-
-sponding totality cannot be supplied at the level of the objectifica-
+sponding totalIty cannot be supplied at the level of the objectifica-
 tions. For even if we could inventorize all the cultural objectifica-
 tions of an epoch (we cannot, of course, since the number of
-items is limitless) a mere addition or inventory would still fall
+items is limitlesS) a mere addition or inventory would still fall
 far short of that unity we call Weltanschauung. In order to reach
 the latter, we need a new departure in a different direction, and
 must perform a mental operation which will be described later,
@@ -2547,12 +2547,12 @@
 to be defined in sociological terms; in so far as the meaning of
 the event (by which it is constituted as an event) is concerned,
 my friend as a psycho-physical individual is quite irrelevant;
-he enters into the context merely as a 'giver', as part of a 'situa-
+he enters into the Context merely as a 'giver', as part of a 'situa-
 tion' that can only be grasped in terms of meaning and that
 would be essentially the same if his place were taken by any other
 person.

-No knowledge of the intimate content of my friend's or
+No knowledge of the intimate cOntent of my friend's or
 the beggar's consciousness is needed in order to understand the
 meaning of 'assistance' (which is the 'objective meaning' of the
 situation); it is sufficient to know the objective social configuration
@@ -2625,13 +2625,13 @@
 can be grasped by objective interpretation without recourse to
 what was subjectively intended, i.e. it can be treated
 as a problem of nothing but meaning — whereas meaning
-as expression, meaning as realized in direct experience, has
+as expressiOn, meaning as realized in direct experience, has



 WELTANSCHAUUNG: ITS MODE OF PRESENTATION 47

-once been a unique historical fact^ and must be investigated
+once been a unique historicaL! fact^ and must be investigated
 as such.

 With that, one might think, all possibilities of interpretation
@@ -17896,5 +17896,3 @@


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