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- His searching hands reached up to his cropped hair, and down to sheets of some smooth slippery
- material. It was much finer than the wool he was used to at home, which was coarse and always
- smelled of sheep; it felt like warm, dry ice.
- He swung out of the bed hastily and stared around the room.
- First of all it was large, larger than the entire house back home, and dry, dry as old tombs under
- ancient deserts. The air tasted as though it had been cooked for hours and then allowed to cool. The
- carpet under his feet was deep enough to hide a tribe of pygmies and crackled electrically as he
- padded through it. And everything had been designed in shades of purple and black.
- He looked down at his own body, which was wearing a long white nightshirt. His clothes had
- been neatly folded on a chair by the bed; the chair, he couldn’t help noticing, was delicately carved
- with a skull-and-bones motif.
- Mort sat down on the edge of the bed and began to dress, his mind racing.
- He eased open the heavy oak door, and felt oddly disappointed when it failed to creak
- ominously.
- There was a bare wooden corridor outside, with big yellow candles set in holders on the far
- wall. Mort crept out and sidled along the boards until he reached a staircase. He negotiated that
- successfully without anything ghastly happening, arriving in what looked like an entrance hall full of
- doors. There were a lot of funereal drapes here, and a grandfather clock with a tick like the heartbeat
- of a mountain. There was an umbrella stand beside it.
- It had a scythe in it.
- Mort looked around at the doors. They looked important. Their arches were carved in the now familiar bones motif. He went to try the nearest one, and a voice behind him said:
- “You mustn’t go in there, boy.”
- ***
- Mort p22-23
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